His sitar part in the track immediately grew to become influential in creating a whole subgenre of minor-key psychedelic music. In response to claims that he was merely imitating the Beatles, however, Jones said: “What utter rubbish!” ![]() In Brian Jones book, ‘The Making of the Rolling Stones,’ Paul Trynka has noted the influence of Harrison’s sitar playing, and, in particular, the Beatles’ song “Norwegian Wood” on the “Rubber Soul” album, draws parallels in “Paint It Black”-most noticeably in Jones’ droning sitar melody. The thing I like about this song is the introduction of the ‘sitar’. By all accounts, the sitar was introduced into the mix when Harihar Rao walked in the studio carrying the instrument. Wyman’s playing clicked with the group and inspired the up-tempo and Eastern pentatonic melody. However, while twiddling with a Hammond organ, Bill Wyman looked for any heavier bass sound, while playing the part on his knees. It seems the Rolling Stones were dissatisfied with the song and wanted to scrap it. Many of the first recorded arrangements and keys from the track were modelled following The Animals’ version of ‘The House of the Rising Sun’. The master take of “Paint It Black” was recorded on 8 March 1966, at RCA Studios in La, with record producer Andrew Loog Oldham present through the process. ![]() Back in a 1995 interview, when commenting around the musical styles available on ‘Aftermath’, Jagger described “Paint It Black” like a “type of Turkish song”. Following a discussion with George Harrison, who’d already recorded sitar on “Norwegian Wood”, Jones arranged basic tunes using the instrument that, with time, morphed in to the one featured in “Paint It Black”. A multi-instrumentalist, Jones could create a tune in the sitar in almost no time (Jones already had a background playing the instrument dating back to 1961), largely because of his studies under Harihar Rao, a disciple of Ravi Shankar. To relieve the monotony, Jones explored eastern instruments, more particularly the sitar, to boost the group’s musical texture and complexity. Additionally, Jones, overshadowed by Jagger and Richards, increasingly tired of trying to write songs, in addition to conventional guitar tunes. This really is apparent in the sessions for that album ‘Aftermath’, where for the very first time the duo penned the entire track list. “Paint It Black” came in a pivotal period within the Rolling Stones’ recording history, a period that saw the song writing collaboration of Jagger and Richards assert itself as the principal composer of the band’s original material. It had been their first song to have a sitar instrumental. The song itself found fruition once the band’s leader Brian Jones found a desire for Moroccan music. ![]() It’s frequently claimed that Jagger acquired inspiration from novelist James Joyce’s 1922 book Ulysses, using the excerpt “I have to turn my head until my darkness goes”, talking about the novel’s theme of the worldwide desperation and desolation. The song describes the ultimate grief endured by one stunned through the sudden and unpredicted loss of a wife, lover or partner. Initially, “Paint It Black” was written like a standard pop arrangement, humorously compared by Mick Jagger to “Songs for Jewish weddings”. The song’s lyrics are, typically, designed to describe blackness and depression by using colour-based metaphors. Since its initial release, the song has continued to be influential because it was the first number-one hit having a sitar, especially in the United kingdom, where it’s charted on two other occasions, and it has been the topic of multiple cover versions, compilation albums, and movie appearances. The song graced the Rolling Stones with their third number-one hit single in America and sixth within the United Kingdom. “Paint It Black” got to at number 1 both in the Billboard Hot 100 and also the United Kingdom Singles Chart. Jointly credited in the the song writing partnership of Mick Jagger and Keith Richards, it was initially released as single on, and then became the opening track in the US edition of their 1966 album ‘Aftermath’. “Paint It Black” (initially released as “Paint It, Black”) is really a song through the British rock-band The Rolling Stones. Keep reading to discover the unique aspect of this recording that made it special at the time it was released. ![]() It reached number one here and in the states.
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